Kimberly Reyes is a poet, essayist, and second-generation NYer who began her transition to creative writing after receiving her Master of Arts from Columbia University’s Graduate School of Journalism in 2013. She has since been awarded grants, fellowships, and scholarships from the Poetry Foundation, Callaloo at Brown University, Summer Literary Seminars in Kenya, the Prague Summer Program for Writers, Vermont Studio Center, the Center for Cultural Innovation, the Napa Valley Writers' Conference, the Watering Hole, San Francisco State University, and other places.
Her nonfiction and entertainment journalism have been published in The Atlantic, The Associated Press, Entertainment Weekly, Time.com, The New York Post, The Village Voice, Alternative Press, ESPN the Magazine, Jane, Honey, NY1 News, Entropy, Medium and The Best American Poetry blog, among other places. Her poetry appears widely online and in journals including poets.org, The Feminist Wire, The Acentos Review, RHINO, Columbia Journal Online, Yemassee, Eleven Eleven, Juked, Cosmonauts Avenue and New American Writing.
Her poetry book Running to Stand Still, a semi-finalist for the 2017 Luminous Origin Literary Award and finalist for Civil Coping Mechanism’s 2017 Mainline Competition, is forthcoming (Omnidawn, Oct 2019). Her nonfiction book of essays Life During Wartime was selected as the 2018 Michael Rubin Book Award winner. Her poetry chapbook Warning Coloration (dancing girl press, 2018) was a finalist for the 2017 Two Sylvias Press Chapbook Prize and honorable mention for the Wild Leek Press Inaugural Chapbook Prize. Kimberly is a writer-in-residence at the Pacific Felt Factory and a member of the 3.9 Art Collective. She lives in a hummingbird-flanked cottage at the intersection of sun and fog in San Francisco.